Koulla Roussos

Pedro Almodóvar’s latest film Parallel Mothers (Spanish: Madres Paralelas) is yet another testament to his complex storytelling. It...

This exhibition preview was published in Art Monthly Australasia magazine, Winter 2021 Issue 328 Pic: Katherine Rolfe, 2021 As I enter...

This review was published on Art Monthly Australasia, on-line edition March 18, 2021 Ash Keating, China Town intervention 2. Pic: Koulla...

This is an article and podcast by Neos Kosmos and The Cave's presenter Fotis Kapetopulos published on 7 January 2021 Koulla Roussos from...

This essay accompanied the exhibition Fire & Brimstone:Chips Mackinolty, Therese Ritchie and Todd Williams & Djon Mundine, at Cross Art...

© Therese Ritchie, "If she were as priceless as a work of art, you'd save her", 2020. Knine Productions proudly presents the second in...

It is not often that I come across a film, complex and uncomfortable in so many ways. A film I replay in my mind and rarer still a film...

Angela Shanahan's, "Bonfire of humanities, will burn our education system to ash", is interesting article appearing in the Weekend...

Art Monthly Australasia, Issue 324 Winter 2020 pp. 52-53 Arresting the touristic gaze: Therese Ritchie and the art of representation in a...

As we confront the impact and scope of COVID-19, arguably an event of immense socio-economic implications, this print by Franck...

In 1973, when I was 5 years old, my parents decided to leave Darwin and resettle with five children back to their island home. This move...

It’s been a month now since my father passed away. Since 26/11/19 I have had daily multiple instances akin to out of body experiences as...

On the 23 October 1919, just over 100 years ago, “The Plague of Florence”(Die Pest in Florenz) directed by Otto Rippert was released. It...

What is it to look, to see, to discern an image that is as dark as a moonless night? I came across a work on the weekend when without any...

The first thing one notices about Liss Fenwick’s Grim Purpose, is the imposing size of the photographic prints. From a distance the...

Last night in the early hours, after I got home from the airport, I started to watch Part 1 of Fritz Lang’s 1924 “Die Nibelungen" . Here...

I met Eileen Song a few weeks ago at the Roma Bar to chat about her exhibition “Cliffside” showing at Darwin Visual Arts. I wanted to...

Travis Vella’s “To those that were missing” (2018) is a medium size oil on board, a representational work, depicting four female...

Darwin has a strong cultural heartbeat. Its beginnings can be traced to creatives who have come and gone and to many who remain, their...

Last year I moved to Melbourne to pursue academic studies in art curatorship, to finish a Masters at the University of Melbourne,...